About the Author
A life lived between worlds.
Growing up between France and California. A career balanced between art and business. A passion for the beauty that was—and the beauty that could be. Writing from the space between.
William Widmaier, Occitanie, 2024. Photo by Tiaré Olivia Ferrari.
William Widmaier is a novelist, poet, and screenwriter whose pages capture the luminous complexities of life, memory, and culture. Born of dual American and French roots, he spent long childhood summers at his grandparents’ stone house near Saint-Tropez—days steeped in the scents of Provençal kitchens, the salt of the Mediterranean, and the quiet alchemy of family stories. Those early seasons became the living soil from which his writing continues to grow.
Long before he surrendered fully to the written word, Widmaier built a distinguished career as a marketing and design executive in California. He led creative teams through periods of rapid growth at EarthLink and later served as Vice President of Global Product Design at Symantec (NortonLifeLock), where he shaped consumer experiences for a worldwide audience. Parallel to that professional life, he pursued the quieter calling of language: magazine columns, produced screenplays (including the Warner Bros./Concorde feature Virtual Seduction), and editorial work that bridged cultures. As editor of The Memoirs Project in collaboration with the French Consulate, he helped preserve the oral histories of American veterans who had fought on French soil during the Second World War—an endeavor that deepened his lifelong dialogue between the two countries he calls home.
In 2010, while still immersed in the corporate world, he published his debut novel, A Feast at the Beach. Drawing on those childhood summers, the book is a tender, sensory portrait of late-1960s Provence—its flavors, its humor, its quiet complexities. Critics and readers welcomed it warmly; it was released at a star-studded gathering hosted by David Martinon, then Consul General of France, at the official residence in Beverly Hills. The novel became both a personal milestone and a literary affirmation of the voice he had long nurtured in the margins of a demanding career.
In late 2020 he closed the corporate chapter, trading the West Coast for the old-world light of southwestern France. He and his wife settled into a restored 18th-century estate in Occitanie, where the slower pastoral rhythms—the turning of seasons, the care of stone walls and garden—opened new space for reflection. From that landscape emerged The Laughter of Small Gods (2024), a collection of short fiction, poetry, and whispered prose that has been praised for its intimacy, wit, and emotional resonance. His forthcoming novel, Tales of the Kraken: The Wolf with Two Legs, continues the conversation with rural France—a love letter with teeth, equal parts cozy reinvention and slow-burn thriller, anchored by Kraken, one of the most endearing characters readers are likely to meet.
William is married to the impressionist painter Tiaré Olivia Ferrari. Her work may be seen at: www.TiareFerrari.com
As long as my writing can still reach out and stir people’s hearts, I know I have accomplished something worthwhile.
— William Widmaier, in AN INTERVIEW with FRENCH MORNING MAGAZINE
Influences & Affinities
When asked about his literary lineage, Widmaier is characteristically oblique. "I've read hundreds of books. I grew up on Heinlein, but I mattured on Hemingway." These are some of the writers and thinkers he returns to.
Ernest Hemingway
Possibly my greatest inspiration as a writer. I return to A Movable Feast time and again. He taught me sometimes less is more. He taught me to be honest with my words. He taught me to bleed on the page.
Robert Heinlein
Heinlein taught me to dream about the future. And that there could be many ways to look at things. One had to think for oneself, have manners, be responsible, and be self-reliant. Good lessons for a teenager.
J. R. R. Tolkien
Tolkien was my escape in my late teens, when family life had gone to hell. He built a world you could get lost in. He also had me look for the hidden magic in our own world.
Anne McCaffrey
The Dragonriders of Pern. It was fantasy, it was science fiction, it had dragons! I once tried to option the rights in hopes of making it into a feature film.
Talbut Mundy
I discovered him later in life. It's 100 year old pulp fiction... but then sometimes incredibly deep. And every once in a while you read a sentence that is just so brilliantly written you have to stop.
Jack London
"To build a fire" haunts me to this day. He captured our relationship with nature in ways that opened my young eyes.